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Buy Gengoroh Tagame: Virtus Comic (in Japanese) Manga by Gengoroh Tagame (ISBN: 582) from Amazon's Book Store. Free UK delivery on eligible orders. Download or read online free (e). The Passion of Gengoroh Tagame. By: Gengoroh Tagame Published. The Passion of Gengoroh Tagame (ENG) Virtus (FRA. Gay manga legend Gengoroh Tagame made a drawing for us while he talked about his work. MUSIC: 'It's.

Hardcover $22.46 $24.95 By contrast, is a warm family story about Yaichi, a single father faced with a new set of realities when Mike, the husband of his late twin brother Ryoji, comes for a visit. It’s not sexually explicit, but it is emotionally explicit, as Mike deals with his loss and Yaichi tries to come to terms with his brother’s sexuality. Yaichi’s young daughter Kana is the intermediary, jumping into awkward situations and defusing them with a child’s disarming frankness. The manga is being published in two omnibus volumes in the U.S.; the first came out last month.

Tagame is a frequent guest at the Toronto Comic Arts Festival (TCAF), and at this year’s event, I sat down with him over a cup of coffee to talk about his past and present manga. My thanks to Anne Ishii for translating the interview. You’re known for a particular type of manga. Why did you choose to create a story that is so different from what your fans are used to? I get this question a lot. The motivation behind writing has been the same as the motivation behind all my writing, which is I write what I want to read.

What I want to see in the world isn’t out there, so I create it. So in that sense I don’t think of it as very different in terms of what motivates me to write it, the content notwithstanding. Around ten years ago I really wanted to write a gay themed story for straight readers. Fast forward to when I was talking to editors at Futabasha, my Japanese publisher. I presented to them the book proposal, they liked it, they approved of it, and voila!

What was your original proposal to them? How did you describe it? It’s about a man whose little brother marries another man, has a same sex marriage with a foreigner who then comes to visit the family and what happens.

It’s kind of a “Guess Who’s Coming to Dinner” kind of thing. How did it change when you actually started writing it? Was it different from the original idea? The idea has remained pretty consistent, and that’s actually because the publisher was so accepting of the story from the get-go and very amenable to all the ideas I had for it. The idea that the publisher understood and wanted to play up was a gay story but seen through the lens of the main character who is straight, and through the main character other straight people and straight readers would learn along with them, so the theme stopped being so much about gay issues and more about family issues, what it means to have a family and to be in a family. Hardcover $19.99 There are couple of moments the story when you see Yaichi say something startlingly blunt, but then in the next panel you see that it’s just what he’s thinking, and what he says is much more polite.

Is that something you came up with for this book, or is it something you have used in your other books? Is it a common manga trope? It’s not necessarily a common visual device in Japanese manga; nor is it something I had really been doing in my past work, actually. The thing that I think most Japanese can agree happens frequently—and I am going to add is absolutely the case in English too—but in Japanese society it’s very common to have really aggressive thoughts and then to say something extremely polite. And so I was kind of thinking about how can I convey that effectively and that’s how I came to this. Kana seems like she’s very much there to be in the middle—she is the heart of the family.

Is that how you intended her, and how did you come up with this character? You’re absolutely right.

Her father is the one who can’t say what he thinks; she’s the one who can’t help but say what she’s thinking. That’s absolutely the intention is to have her there to sort of balance him. But also, Yaichi is somebody who has a lifetime of experiences and memories that inevitably inform the way he thinks about the world today, where she doesn’t have these experiences and just sees things as happening as they are—just kind of takes things at face value. She’s also what I’d like to call a trickster, in that she sort of instigates turns in the plot. She sort of advances the plot.

What does this book have in common with your earlier words, in terms of storytelling and art? Visually, I continue to use my own very personalized artistic and visual sensibility and style, so it’s unmistakable. I also believe the best thing that art does is depict people and humanity, so in a sense, if you think about erotica and depictions of sex, that’s the most raw form of a human, and the most fundamental form of human depiction is through erotica, for me. What I have tried to do in my erotica is raise that to the level of art and think about it in terms of art being principally to the service of depicting humanity.