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Most likely, you're not reading this unless you're a fan and already plan to see the film. And if you are, then know that my review is based on my fandom and in relation to the series itself. Therefore, it will be in the context of horror films, slasher films, and more importantly, the series itself. With that out of the way, who would have though the fifth film would be the one.

Ever since the original, the series has sort of meandered around, trying to recapture the initial wonder of death playing the part of a slasher and killing off a group of people. Yes, Final Destination 5 is truly the best sequel since the first. There hasn't been this much tension and creativity since the original, and practically every scene is filled with an uncomfortable level of anxiety. This is what the film has truly been missing, whether spoiled by the trailers before it or just a lack of creativity. For the most part, Final Destination 3 and 4 (TFD) lacked the necessary level of creativity and menace that was present in the first film, and even in the second. However, we have plenty of that here and a few nice twists as well. While the kills are also pretty ridiculous, most are plausible and, unlike TFD, should please fans with their level of gore and brutality.

The filmmaking qualities here reach above the standard the film has set. It looks great, with plenty of swift and enticing editing that will make your skin crawl with anticipation. The acting, while still not of any award winning caliber, or even really all that great, is decent enough here. The portrayals are more realistic this time around.

While the film had though to settle into the I-found-the-answers-on-the-internet routine, here we have a smooth flow in which characters sort of lose their mind trying to figure things out. And while some might have called the main couple's relationship cringe worthy, I actually found it to be quite well played out as the couple has real issues they work through on top of everything that's going on. Suffice to say, it's nice to see the FD series making better attempts at developing it's characters. Still not great, but better. With that said, this is Final Destination, and problems persist. Despite better attempts at character development, the majority still play fodder for death's machinations. Sure, we learn a little about them, but it's not any more than the bare minimum: this guys a jerk, that girls wild, etc etc.

There is also one kill, in particular, that, while brutal, defies logic. Sure, it's FD, but there is a certain point of ridiculousness where the line is drawn. The characters trying to figure out what's going on is also getting old. There's certainly a reason here, which I won't spoil, why our characters don't know about what is happening in the same way characters from previous films know. But this leads to the problem of it being explained too quickly. This might contradict what I said above, but what I mean is that Tony Todd's character if far too quick to reveal information and the new twist.

In comparison to FD1, where things had a slow, natural pacing, here we get a couple death scenes, and explanation, and then more death scenes. The progression is better, but still not as good as the first two films. Fans will truly enjoy this solid sequel. There are a couple twists, and the final scene will blow everyone away. It's beyond what you would expect, and very nearly worth seeing the film alone.

But with a handful of creative and brutal twists and a decently put together film, this should certainly warrant a decent box office and, maybe unfortunately, another sequel or two.

Arriving on local theaters without the benefit of 3-D, the novelty of 'The Final Destination' goes doubly kaput, as it not only lacks inspired deaths and sympathetic characters, but also because the flatness of David R. Ellis' body bag-fodder isn't mitigated by whatever shallow entertainment an additional dimension might have brought. Eric Bress' script wastes no time in shaping its interchangeable characters as, apparently, Death has to immediately dive into placing its cardboard victims in intricate fatalities that have been the series' central gimmick. Nick (Bobby Campo) experiences a premonition of a disaster in a race track and manages to get a few people out, who would have otherwise died. As per the franchise's tradition, Death won't be cheated and it starts to do anything -- like toppling cans and letting waters drip -- to create a ripple of events that would eliminate the survivors. Despite showing how lame entertainment can be entertainingly lame with 'Snakes on a Plane,' Ellis -- who also directed 'Final Destination 2' -- doesn't strive for an ounce of creativity, resulting to a terribly disposable fare that fails to hit its its mark despite aiming so low. And as embodied by the narrative shortcuts this gorefest constantly employs, the Rube Goldberg set pieces start to feel less impressive than mechanical, which makes one believe that Death has worked itself too much over the last three installments.